Blood Line
I.
I wanted there to be a rivering, a signal.
I wanted the clench and bother, the stain and solder of it,
a desire to fit into that sisterhood. I wanted it—
desire: the clench and solder
rivering: the stain and signal
the wanting: a fit and a bother
II.
Each month, there was a river, signaling
clench. Clot and bother. Stain and stench. A doubling
pain I did not want. The pain of that belonging—
doubling: the clench and signal
river: the stench and clot
the wanting: a bother of belonging
III.
I wanted to be a river, gathering stones, signals
to shape in my current and birth smooth and new
onto a shore. I wanted to be both river and shore—
gathering: the stone and current
shape: the new and smooth
the wanting: a signal for shore
IV.
Each month, there was a river, signaling
failure. Clot and carnage. Loss and empty. The breaking
of biology’s promise. A promise of a second heart—
failure: the clot and biology
carnage: the heart and signal
the wanting: an empty promise
V.
I was tired of the rivering, all its tributaries, signals
of nothing. Flow and fallow. Useless current. More
nuisance than nurture. I wanted to be landlocked—
flow: the useless and nuisance
fallow: the landlocked and nothing
the wanting: a signal of nurture
VI.
I wanted to be something else,
the river dry, a signal of endings.
Drought and flaking. Sweat and shiver.
A new shore for this salvage.
I salvage a self, unrivered.
*
Donna Vorreyer is the author of To Everything There Is (2020), Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), all from Sundress Publications, as well as eight chapbooks. Her work has appeared in Rhino, Tinderbox Poetry, Poet Lore, Sugar House Review, Waxwing, and other journals, and she serves as an associate editor for Rhino Poetry. Recently retired from 36 years in public education, she can’t wait to see what happens next.