Rae Gouirand

 

 

Daucus Carota

 


I went with my bucket
to the light’s edge, its insides charcoal-shadowed,

 

its radius wide enough to swallow
all the lace, all the rock rose. It sounded

 

as I did, swung empty by the catch
of its rough handle in the punch, caught the wind.

 

This is a portrait I come back to,
a self with said bucket in the moment before

 

stooping, before arriving at
what a self might cut. I see it thinking of

 

cliffside whippings. I catch something
passing through me about why I’ve read all

 

I’ve read—why I was trained
to read, why I was taught to believe in

 

the value of what passes through
the hand. Around this question, the wild carrot

 

dances, its ferny leaves articulating
the ground, its flattened clusters mimicking

 

fireworks, sunspots in the eye,
messages in agar from some longago class,

 

their single dark purple floret
quoting Queen Anne’s needled finger.

 

Here in the roadside, here
in the dry field, the lace as living as any

 

animal walking past. Its feather-
like leaflets divide again, again; the yellow taproot

 

resolves to travel;
the hollow branched stem lifts feet for

 

the breeze; up to a thousand
tiny white blooms unfurling upon their umbrels,

 
the inflorescence curling
in and browning once the seeds have ripened
 
to become bristly. Vigorously
it grows and vigorously it spreads, crowding out
 
much else. The queen had
eighteen pregnancies but only one child—
 
imagine all that tatted lace,
all those fingerpricks. The cup-shaped flowerheads
 
that were sparse and fragmented
pull in to become feral, crowned sanctuary.
 
This is the first lace
I remember being encouraged to cut freely
 
for myself or any mother.
I cannot unwrite its script, cannot quiet
 
the tone at the bottom
of the bucket. The lace blooms clear
 
through fall, its entire seed head
detaching to be carried by wind once browned,
 
once its intelligence has become
something that can be spoken, read, translated.


 

Rae Gouirand is the author of eight titles of poetry and nonfiction, including Glass is Glass Water is Water (Spork Press, 2018), The History of Art (The Atlas Review, 2019), and The Velvet Book (Cornerstone Press, 2024), a 2025 Lambda Literary Award finalist. She leads several longrunning independent workshops in northern California and online, including the cross-genre workshop Scribe Lab, and serves as a Continuing Lecturer in the Department of English at UC-Davis. Find her at @rgouirand and raegouirand.com.