Grace Mathews
Motion Parallax
I found it easy then, sticking my neck out
over the balcony to catch droplets
in the first rain. I watched people running
naked in the moonlight, looked away when
familiar bodies passed. No, I could not
bring myself to join, but peeled off enough
layers to feel the moisture. This was
a different city, different air pressure.
Now, with the U-Haul due in a few hours
I’m still fiddling with my goggles, fog
seeping in. My father tells me the ash
will suck everything out of my exposed
skin. Condensation feels greedy. Seeing
this feels greedy. I carry disintegrating
boxes down from the surviving garage.
Everything left had already been
forgotten. A collection of porcelain
dolls, decades of love letters from different
women. An old ottoman and yellowed
tupperware aren’t worth saving from the impending
storm. So they will stay here. I linger
at the top of the stairs. Weeks ago I could not
have known this view would ever change,
making this perch an island. I watch neighbors
I can see lost structures laid atop
on old projector slides. A couple stands
draws inwards as it can only do when
A hand strokes a clock, fumbles for a toothbrush.
behind a rare house left standing. It is hard
who is staying, who is selling. My gloves turn
between us. Clouds whisper over the bald
until we are in my car, when he seems
The mountains shudder in my rear view mirror.
whether I’m approaching or retreating.
Grace Mathews is a poet and educator from Los Angeles, CA. She is currently pursuing an MFA from San Diego State University, where she teaches writing and serves as the social media editor for Poetry International. Her poems are published or forthcoming in Terrain.org, The Los Angeles Review, Zone 3, and The Laurel Review, among others.
