Winner of the Milton Kessler Memorial Prize for Poetry
Olivia J. Kiers
The Portuguese Bar
The oldest among us has a tremor that becomes a toast
of capillary waves breaking across red noses,
punctuation marks and their inchoate grammar
of polyglot surf and slurred wit, breaking
as the bread passed in baskets overhead
landing amid crumbs napkins spoons and stains.
Bones in bacalhau: spines between soft lakes
of ocean, as if salt could be snow
and an urchin’s purple needle track tattoos
across blue skin. Our current currency
exchanges pearls for an oyster rock—let it be
storied as a cobblestone whose fantastic nacre
of midnight oil, grit and laughter belies
the tectonic plate’s white rim rattling tines.
Below our feasting table, more revelers hurry
giggling down hospital-bright tunnels,
littoral veins and arteries channeling tidal surge—
these are the transitory corners where mussels cling
in heavy groups, ice-blue and salt-hearted, singing
gurgling and wet. Sometimes your head breaks
the surface and you catch sight of a tower
fizzing phosphorescence, vinho verde’s kiss
malolactic, and the moon a moonstone on velvet
skyglow between vestigial chimney pots.
Behind the bar is a courtyard, where smokers work
a midnight alchemy exchanging air for fire,
embers harbor lights ringing across black water
and we already well offshore, a long way back.
Olivia J. Keirs is a poet and museum professional based near Worcester, Massachusetts. Her poetry has been published in Apricity Magazine, The Oakland Review, Plainsongs, Variant Lit, and West Trade Review, among others. She holds an MA in the History of Art and Architecture from Boston University, and a BA from the University of Virginia. She can be found on her website, oliviajkiers.com.
