Waiting For Engraftment

with a first line by Jim Harrison

We have to do something about the night.
It came with false expectations.
Fever. Waterlogged body. Circuitous
thought. I gave night all my sleep
and still it torments me. Still it refuses
to end. Its hunger has swallowed
the tips of my fingers. Look.
There’s a cloud of gnats beyond
my second knuckle. A buzzing swarm.
An itch that won’t be appeased.
Anything could be sprouting at the end
of my hand. A tree branch. An ossuary.
A tongue, slipping away from me.
Open-vowelled and wounded.
How do I say mama and mean it?
Memory like all falsehoods
must be put to rest. Do I have
enough bodies willing to be interred
in someone else’s present? Do I have
enough room. How do I inhabit
a wound? Any container is finite,
especially one made of flesh.
These signs I make with my right hand,
can you read them? These gestures
I make with my left, do they soothe?
I cannot soothe myself. Each
ghostly fingertip, a reminder. I am
yet to be born from a syringe. My sister’s
punctured hip. A different testament,
one no one has read. A new Eden.
I am waiting to be returned to myself
in one piece. Neither God nor Adam
are present. The rib? Far too weak
to contain me. I am about to be weighed
and I’ve already been found wanting.
The skin sloughs off, followed by flesh,
muscle, tendon and nerve, until all
I can see is the flicker of bone,
splintered in my own image, a shallow
dinghy for this torrent of marrow,
this porous reality, in which she
who is almost me      may still happen

Romana Iorga is the author of Temporary Skin (Glass Lyre Press, 2024) and a woman made entirely of air (Dancing Girl Press, 2024). Her poems have appeared in various journals, including New England Review, Lake Effect, The Nation, as well as on her poetry blog at clayandbranches.com.