Anatomical Mouth
I begin by plagiarizing myself. I am a dummy
sitting on my own lap, repeating: The opposite of anything
is the thing itself. I move my left arm awkwardly
about my head & point to my mouth. I say: This is
my mouth. I say: My mouth is very disciplined about memorizing
the script. (& though my mouth has no means to defend
itself, it is proud to make good on the task.) I am
skeptical of any mouth that presumes its own innocence,
so each night, I give my mouth a bath & brush its teeth.
I clothe my mouth in a simple orange dress, lay it flat
for ironing, then hold my mouth accountable. I want
to tend to my mouth ad infinitum but on stage, tulips
start sprouting from my skull. With each act, the audience
grows more & more impressed, though my brain feels the tug
of roots escaping their secret lives & I cannot discuss
the brain if I am to look after my mouth. I cannot
multitask, which is to say I cannot invent new forms
of punishment. Maybe the mouth should wise up & take out
the trash, or maybe the mouth should wash its own mouth
out with soap. Maybe the mouth is out of soap.
Maybe the mouth is out of money & in need of a new roof.
There is a dramatic difference between what I am looking
for & what is presented to me. Today is the mouth’s
birthday. Today, the mouth pledges allegiance & tomorrow,
the mouth goes to school. Eventually, the mouth wants
more from life & asks permission to abandon the limelight.
She demands her own mouth & at Target, we eye a variety
of mouths lining the shelves in cereal-like boxes. Shrewd
Mouth. Authentic Mouth. Optimistic Mouth. But my mouth
wants a mouth that says, I am happy to be your mouth.
A mouth that understands the interchangeability of grief
with grief. The need to place its hand over its chest & feel
the thump of a self-generating heartbeat. A mouth that says,
I know more than what you ask me to do.
Susan L. Leary is the author of five poetry collections, including More Flowers (Trio House Press, 2026); Dressing the Bear (Trio House Press, 2024), selected by Kimberly Blaeser to win the Louise Bogan Award; and the chapbook, A Buffet Table Fit for Queens (Small Harbor Publishing, 2023), winner of the Washburn Prize. Her poems have appeared in Indiana Review, Diode Poetry Journal, Smartish Pace, Verse Daily, and elsewhere. She lives in Indianapolis, IN.