Off the porch, a deer skeleton abacus is ticking with beetles:
the simple math of this season. I can’t prove it, but time moves
slower in the winter. Dark and the coyotes come smoking
through the cedars. Dark and a buck is dragging his antlers
through the mud, too tired to lift his head. Heavy in the spawn,
fishing was a bust: a few blade crappies, a mason jar with a sugar spoon
and three marbles in it. My uncle makes lamps from turtle skulls
and a boy bought one the other day with an unplucked chicken.
He calls himself Big Bear, even though you can count all his ribs,
even though he’s let dozens of deer eat for hours on their hindlegs
from the persimmon tree. I can’t blame him; I’ve done the same myself.
There’s no sense in begrudging anybody a few unripe persimmons—
when they’re green, they’ll half suck the wax back out of your ears.
I know about his hesitation. How any movement, a cottonwood leaf
sawing down the bright air seems too loud and breaks the old music
of the hills set in motion years ago. When it’s quiet enough to hear
a bee dusting pollen from his shaggy shoulders, hear the pulse buried
under the world’s rough worker-hand. I’ve always thought of deer as silent
witnesses to out messy lives. I’ve spent my life watching, too. Easy to spook.
I’m out floating in the wilted sigh of the wind. Back to a long summer day.
Alone, out back in the storm tree where I dreamed as a child, lightning-hewn,
I consider the welder I knew whose wife left him when she got tired
of washing her clothes in the creek. It takes five minutes to be his friend,
but a lifetime to understand whatever it is that bangs around in his mind.
Consider how he used to slice peaches with his elk-bone pocketknife
for me to eat. How he plucked apples from dumpsters to feed the deer
of his woods. How he one day started to have an itch above his temple
and couldn’t stop scratching, and one night he lays down to dreams
of a snow sifting down softly on his early spring trees, while skin falls
from his scalp like many blossoms in a song about sunshine.
James Dunlap is an Arkansas poet. He studied poetry at the University of Arkansas and Southern Illinois University at Carbondale. His poems have appeared in Copper Nickel, Nashville Review, The Journal, and elsewhere. He is the author of Heaven’s Burning Porch from Texas Review Press. He currently lives in Louisiana.